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Hello my name is

Fatonah Wulan

fontspring.com Affiliate Member

contact me at : fatonah.wulan@gmail.com

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Download Reluctant Aviator Fonts Family From Hanoded

Designed by David Kerkhoff, Reluctant Aviator is a hand display font family. This typeface has two styles and was published by Hanoded . Download Now Server 1 Download Now Server 2 Download Now Server 3 I read something interesting the other day: in 1910 a cat called Kiddo snuck on board an airship and was found by aeronaut Walter Wellman - after he had already taken off in an attempt to cross the Atlantic Ocean. Wellman and Kiddo spent 71 hours aboard the airship, but never completed the journey, due to engine problems and foul weather. Luckily, they were both rescued. It was a funny story, so I decided to name a font after it. Reluctant Aviator is a handmade font (pen and paper). It has a rough edge, some shaky glyphs and a lot of bravado. Comes with diacritics and swashes. Download Reluctant Aviator Fonts Family From Hanoded Download Reluctant Aviator Fonts Family From Hanoded

Gurgle Jock fonts from Bogstav - (cwulz)

Designed by Jakob Fischer, Gurgle Jock is a hand display font family. This typeface has two styles and was published by Bogstav . Download Now Server 1 Download Now Server 2 Download Now Server 3 Gurgle Jock is actually two fonts in one: The Regular version is a classic handmade sans and the Outline version is…well, an outlined version of the Regular - however, I made it a bit off-grid and hasty scribbled looking. The two versions works well as they are and even greater together! Gurgle Jock Gurgle Jock

[mwiuz] Download No. 3 Series Poster fonts from Road to Venice Type

No. 3 Series Poster is a display serif font family. This typeface has three styles and was published by Road to Venice Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 No. 3 Series is a typeface for a variety of large scale applications including titling, visual identities, books, magazines, mobile patterns and websites. It has the characteristics of humanist letters, borrows from periods before and long after the Renaissance – e. g. the increased contrast – and is drawn into a contemporary context. No. 3 Series covers three widths in large steps, Normal, Narrow and Poster. Furthermore it is to a large extend influenced by writing and cursive writing, which inspired the first letters that were cut in metal. For example the principle behind the shapes of the a, d, p and q of the lowercase alphabet is the rotation of an italic letter written with a broad nib pen. Italic handwriting usually has a slope which in this case is reduced to zero, but the underlying the

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